Wassup folks, I know, I know, everybody missed me, right? Anyways, writer’s block is a hoe, it had a hold of me and I just couldn’t get away. Thank goodness Antuan held the site down during my brief sabbatical. Moving on, welcome ladies and gentlemen, as if I never left…Part II of WAATGMA! If you need a refresher on part I, you can click the link here.
Ok, now that you are all caught up and riled up, time to continue.
Continue reading ‘“Where Are All The Good Men At?” Pt. Deux’
Every article can’t be super serious… every now and then, I have to post something silly. With that in mind, I present to you “Treat Your Mother Right.”
Nothing in all the world is more dangerous than sincere ignorance and conscientious stupidity.
–Martin Luther King, Jr. (1929-1968), Strength to Love, 1963
Beyoncé’s so fine, I almost hate to do this…
I know that it’s normally AJ who’s slapping wrists and shouting “Bad!” around here, but I have to say something about this, but first a quick show of hands, how many of you think Irreplaceable is your jam? Admit it ladies, this song comes on and you’re cranking radios up and rushing dance floors across America.
I’m not hating on Beyoncé here, but I really have to ask this question: Why are women latching on to Irreplaceable as the new Black Woman National Anthem? It’s crazy. Are people not hearing the same song I’m hearing? or are people so shortsighted that they overlook the most serious error in this song’s lyrics? An error so blatant, that it automatically makes the women who crank this song and sing it look like total morons.
Continue reading ‘Please Replace “Irreplaceable”, I’m Sick of It.’
A scene from Stomp the Yard involving, you guessed it, dancing negroes!
Aww Yeah. I’m back! There’s been a lot of buzz on “teh interwebs” and in conversations about Stomp the Yard and it’s got me thinking… not just about this film, but about the state of black cinema as a whole. I must say that the more I think, the more pissed off I get. Allow me to share my thoughts on the subject of the deterioration of black cinema.
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